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TanzQuelle & Bad Lemons Project

OASIS

Abschlussaufführung der Co-Creation Labs

Verena Eccardt

Bereits zum zweiten Mal bringen die Initiativen TanzQuelle & Bad Lemons Project lokale Tänzer*innen und internationale Choreograf*innen in jeweils einwöchigen Co-Creation Labs zusammen. Mit dem Projekt OASIS wird in München lebenden Tänzer*innen je eine Woche künstlerische Recherche mit drei verschiedenen Choreograf*innen ermöglicht. Die Tänzer*innen werden mit unterschiedlichen kreativen Prozessen und Stilen vertraut gemacht – und die eingeladenen Choreograf*innen haben die Chance, die in München verankerte Szene kennenzulernen. Diese drei Ergebnisse werden in der Abschlussaufführung im HochX präsentiert.

TanzQuelle und Bad Lemons Project sind Münchner Initiativen, welche die Gemeinschaft der Tanzschaffenden durch einen regelmäßigen Treffpunkt stärken. Gemeinsam bieten sie professionelles Training, schaffen Raum für ergebnisoffenes Forschen, intensiven Austausch und künstlerische Entwicklung. Trotz der instabilen Infrastruktur in München und begrenzter Fördermöglichkeiten haben sich die beiden Initiativen als fester Bestandteil der Münchner Szene etabliert und überregionale Strahlkraft entwickelt. Kreative Prozesse mit unterschiedlichen Choreograf*innen bringen die lokale Tanzszene mit verschiedenen Stilen in Berührung. Sie fördern eine lebendige, kollaborative Szene und bieten eine Anlaufstelle für Tanzenden der Stadt, um deren Potentiale und Talente sichtbar zu machen und sie überregional zu vernetzen.

OASIS wird von den in München lebenden Choreograf*innen Jasmine Ellis und David Russo geleitet und kuratiert.

Mehr Infos:
www.tanz-quelle.de
badlemonsdance.com

Kurzbiografien

Constantin Georgescu is choreographer, visual artist and dance teacher. Educated as dancer in Bucharest, he has been engaged for over 17 years in different dance companies in Romania and Germany, and later on as free lance performer in many projects. He holds a Masters Degree in dance pedagogy & education and is currently a PhD candidate at Bruckner University in Linz.
In 2000 he received the Choreography Prize at International Dance Competition Constanta. In 2006 he started his work as video designer, creating dance videos, stage video-design or documentaries. He won several awards at different competitions (Main Prize Idill Dance Video Competition, Brussels 2009, Second Prize and Cinema Prize at Choreographic Captures Competition in Munich 2014, Prize for Innovation at Idill Dance Video Competition, Brussels 2011) and his films have been invited to many international festivals His choreographic work covers a broad artistic spectrum, from ballet reconstructions and contemporary dance creations, to multi-media installations and site-specific performances.
https://www.constantingeorgescu.com/

Swiss choreographer Jasmine Morand began her career as a dancer. She completed her classical training in Geneva and at the Princess Grace Academy in Monaco, after winning first prize at the Swiss National Ballet Competition in Solothurn, the Modern Dance Competition in Nyon and the Migros Cultural Percentage study prize. She began her career as a dancer at the National Ballet of Nancy and Lorraine, before joining the Zurich Opera and the National Ballet of Slovenia. In 2000, she began training in contemporary dance at Codarts University for the Arts in Rotterdam, where she began to develop her choreographic writing. As a choreographer her works find inspiration, in both fine and visual arts as well as in new technologies, in equal parts. The resulting work continually reforms anew in a movement between physical and digital impressions. Jasmine Morand set up the Prototype Status company in 2008 and toured with her company in over ten countries, across Europe, the United States and South America. In 2013, she won the Dance Award of the Swiss Fondation Vaudoise pour la Culture. The creation LUMEN (2020) is the winner of the Label + Romand – arts de la scène competition and received the Swiss Arts Awards as the best dance creation 2020. She is creating contemporary pieces for various institutions (Tanztheater of Lucerne: opening of the Steps 2020 Festival, BA Contemporary Dance of the University of Zurich (2020), CFC Danse Geneva 2021). For the coming seasons, Jasmine Morand is also associate artist of the Théâtre Paul Eluard, subsidised performance space in Bezons, Ile-de-France.

Cristina D’Alberto is an independent choreographer, performer and contemporary dance teacher, co-founder of the FIKA Dance Company. During the last twelve years, she has been touring internationally with the TPO Company and working as a freelance artist for several choreographers and directors such as Michael Marmarinos; Ryan Mason; Anton Lachky; Romeo Castellucci; Cindy Van Acker; Johannes Härlt; Jasmine Ellis and Claude Bardouil.
With the financial support from the Cultural Department of the City of Munich and the Bavarian Association of Contemporary Dance, Cristina created in 2018 the performance somewhere/shared in Munich; in 2020 premiered Anthologie / Blütenlese and her latest work ARCADIA, eine Erforschung von Idylle und Beton has been shown in Munich in September 2021. Cristina also collaborates in theatre productions, choreographing works from the directors Amahl Khouri, Caitlin van der Maas and Ulf Görke. She also teaches contemporary dance classes and collaborates with Iwanson International School, DancePat Munich, Profittraining Leipzig, Profittraining Freiburg, B12 and Sharing Training Turin, Birmingham Pro Classes. She is currently enrolled in a Master of Choreography at Codarts University.
www.cristinadalberto.com

Dieses Projekt wird gefördert vom Kulturreferat der Landeshauptstadt München sowie vom bayerischen Landesverband für zeitgenössischen Tanz – BLZT. OASIS – Tanzressourcen für München wird unterstützt durch DIEHL+RITTER/TANZPAKT RECONNECT, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative NEUSTART KULTUR. Hilfsprogramm Tanz. In Kooperation mit HochX Theater und Live Art.